NEWS

Broadjam double winner

Bob's song Get A Dog earned a rare double victory at Broadjam, winning both the June 2026 Song of the Month honor and the Hot 100 Song Competition. The song is being featured across Broadjam and will be reviewed by CEO Roy Elkins as part of the Song of the Month award.

The Song of the Year contest

My song, City of Love, has placed within the top five songs in the Hip Hop category in their 2nd contest of 2026.

SongwriterUniverse has selected You Saved Me as April's “Best Song Of The Month”

https://www.songwriteruniverse.com/bob-juchs-you-saved-me-named-april-best-song-of-the-month/

The International Songwriting Competition

Three of my songs have been chosen as semi-finalists:
Brand-New Woman Blues (Blues), Drunk (And I Wanna Go Home) (Country), and Thirty Cats (Folk/Singer-Songwriter).

Dallas Songwriters Association Annual Contest Results 

I’m pleased to share the results from the recent DSA songwriting awards, which were judged by an industry panel.

All of my submitted songs advanced to the semi-finalist round, with the following final placements:

Thirty Cats earned 2nd Place in the Americana category.

Underneath the Stars tied for 3rd Place in Love Songs / Easy Listening.

In addition, five of my songs were semi-finalists in the highly competitive Country category, and my work was represented across Americana, Country, Love Songs, and Pop/Rock.

I’m grateful for the recognition and for the thoughtful listening that goes into judged competitions like this. Results aside, it’s encouraging to see these songs connecting with different audiences and musical sensibilities.

More to come.


The Song of the Year songwriting contest has awarded Bob a Finalist spot in the Pop category for Caribbean Christmas and a Semi-Finalist award for Tides of Us.

Previously he had a Finalist with Let's Write a Love Song, and two Semi-Finalist placements in their contest for There Will Never Be Another You and Legacy of Love.

Song of the Year receives entries from all over the world and only the top songwriters receive a Semi-Finalist placement in the songwriting competition.

Special thanks to my granddaughter Brittany, who found and forwarded the personal statement that inspired Legacy of Love.
Without that moment, the song wouldn’t exist.

Bob was honored six times in 2025 as a Top Five finalist in SongwriterUniverse’s Best Song of the Month Competition. His songs My Corner of the World (December), Backroads and Heartstrings (October), Holdin’ Hands Again (September), When The Moon Waltzes In (May), Whispers of Forever (March), and Twilight Legends (January) each earned a place among the top entries, reflecting both his versatility and consistent artistry across genres. 

September 2025 – Bob's song Brand-New Woman Blues was awarded Semi-Finalist placement in the 2025 Song of the Year international songwriting contest. The Semi-Finalist honor is the highest placement next only to the one Winner and four Finalists in each category. View placement page 

Bob's song Lost In Yesterday has been named Broadjam’s August 2025 Song of the Month, earning top honors and a feature in the Broadjam Newsletter.

Review of “Know Where You Come From”

Bob Juch’s “Know Where You Come From” is a warm, rootsy Americana track that embraces the traditional storytelling qualities of country music while building its own sense of nostalgia around the idea of home. Rather than presenting home as simply a physical place, the song explores it as something that stays with you wherever life takes you. River bends, gravel roads, a leaning red barn, family stories and old familiar songs all become reminders of the people, landscapes and experiences that helped shape who you are. It is a straightforward concept, but one that works particularly well within the country genre because of how naturally the song connects personal identity with the landscape around it.

One of the strongest aspects of the track is its instrumentation. The instruments are performed incredibly well, creating an authentic country and Americana atmosphere without making the arrangement feel unnecessarily complicated. There is a sense of space within the music that allows the storytelling to remain at the centre of the track. This is particularly important for a song built around lyrical nostalgia, as an overly busy arrangement could easily distract from the imagery. Instead, the instrumentation provides a comfortable foundation for the vocals and gives the song the feeling of something that could be heard on a long drive through the countryside.

The vocals are also performed well, fitting the character of the song and its traditional country influences. There is a sincerity to the delivery that suits the subject matter, helping the lyrics feel personal rather than simply being a collection of familiar country themes. The vocal performance works particularly well alongside the instrumentation because neither element attempts to overpower the other. The result is a balanced production where the storytelling remains clear and the listener can follow the emotional direction of the song.

Lyrically, “Know Where You Come From” is written in a classic country style. Nature plays an especially important role throughout the song, with the surrounding landscape becoming a way of representing memory, family and a simpler way of life. This is a technique that country music has relied on for generations, using roads, fields, rivers, farms and changing seasons to communicate something much larger about a person’s life. Juch understands how effective these images can be, particularly because they make the song feel grounded in something tangible.

The lyric “Before the green hills gave way to the wind” is a particularly sweet example of this approach. It ties the personal story directly to nature, while also creating a vivid image for the listener. Rather than explaining the feeling of nostalgia outright, the lyric allows the landscape to communicate it. This makes the song more evocative and demonstrates why natural imagery remains such an effective songwriting tool within country music. Throughout the track, there is an overall sense of living alongside nature and appreciating the simplicity of country life, which reinforces the central idea of remembering where you came from.

The hook is another strong element. “Know Where You Come From” is catchy both in its tune and its lyricism, giving the song a memorable quality without sacrificing its storytelling. The title itself works effectively as the central phrase because it communicates the song’s message immediately. It is the kind of hook that can be understood on the first listen, while the surrounding lyrics give the phrase more meaning as the song progresses. This is especially useful for a country track, where a memorable chorus and a clear central message can make a song feel familiar and inviting.

Structurally, the song benefits from keeping its focus on this central theme rather than introducing too many competing ideas. The progression between its lyrical images gives the listener a journey through memories of home, while the recurring hook brings everything back to the song’s main message. There is a natural relationship between the verses and the chorus, with the descriptive storytelling in the verses providing the detail and the hook acting as the emotional summary. This makes the track easy to follow and gives its message room to settle with the listener.

What makes “Know Where You Come From” particularly enjoyable is that it does not try to overcomplicate its subject. Nostalgia can sometimes become overly sentimental in songwriting, but the use of specific places and natural imagery gives this track something more concrete to hold onto. The river bends, gravel roads and red barn create a world that listeners can picture, while the references to family stories and old songs make that world feel lived in. Even if a listener does not share these exact experiences, the broader feeling of looking back at the places and people that made you who you are remains relatable.

The song also demonstrates Juch’s strengths as a songwriter. His background as a poet is evident in the attention given to imagery, particularly in the way the natural world is used to support the emotional message. There is a clear understanding that country songwriting often works best when large emotions are communicated through ordinary details. Instead of relying on complicated language, “Know Where You Come From” finds meaning in familiar roads, landscapes and memories. This simplicity ultimately works in its favour.

For release and marketing, “Know Where You Come From” would benefit from being positioned towards listeners who enjoy traditional country, Americana and roots music, particularly audiences drawn to songs about home, family and nostalgia. Short social media clips featuring the strongest lyrical lines could work well alongside countryside imagery, road-trip footage or acoustic performance videos, helping to reinforce the song’s themes visually. The track could also be pitched to country and Americana playlists centred around storytelling, road trips, rural life and reflective songwriting. Given the song’s strong sense of place, live acoustic performances could be another useful promotional tool, allowing the lyrics and vocal delivery to take centre stage.

Overall, “Know Where You Come From” is a well-written country and Americana song that succeeds through its sincerity, memorable hook and strong use of natural imagery. The instrumentation is exceptionally well handled, the vocals suit the song’s character and the lyrics capture the classic country tradition of finding emotional meaning in everyday places.

SCORE/Excellent: Its central message is simple but effective: no matter how far the road takes you, the places and people that shaped you remain part of who you are. For listeners looking for a catchy, heartfelt country song with a strong connection to nature, family and the idea of home, Bob Juch’s latest single offers a warm and familiar listen.

https://musicreviewworld.com/bob-juch-know-where-you-come-from-single-review/

 

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🎧New EPs in French

In “Histoire(s) d’elle,” Anaïs Delcourt offers an intimate portrait of love unraveling. These four piano-driven ballads, delivered with haunting vulnerability, explore desire, doubt, heartbreak, and quiet farewells. Each track feels like a chapter in a private journal—or perhaps a story we all know too well.

Avec « Histoire(s) d’elle », Anaïs Delcourt livre une fresque intime de l’amour qui s’effrite. Quatre ballades en piano-voix portées par une voix fragile et sincère, où l’on explore le désir, le doute, la douleur, et le dernier adieu. Chaque chanson est un fragment d’un passé réinventé, une histoire personnelle... ou peut-être universelle.

https://bobjuch.fans/album/3492790/histoire-s-d-elle

Anaïs Delcourt takes listeners on a four-song journey—from playful flirtation to fiery passion and sultry sophistication. With a voice full of emotion and effortless charm, she blends country, pop, and chanson in a uniquely French way. From the cheeky “Je veux être une cowgirl” to the smoky elegance of “Murmures d’un chagrin,” this EP is a bold and dazzling showcase of her range.

Anaïs Delcourt nous emmène dans un voyage en quatre chansons, de la légèreté espiègle à la passion brûlante, jusqu’à une élégance feutrée. Avec sa voix pleine d’émotion et son naturel désarmant, elle marie country, pop et chanson française avec une grâce unique. De la malicieuse “Je veux être une cowgirl” à l’élégance jazzy de “Murmures d’un chagrin,” cet EP révèle toute l’étendue de son talent.


https://bobjuch.fans/album/3492776/eclats-d-elle

EPs for sale

Histoire(s) d’elle

Bob Juch & Anaïs Delcourt

In cart Not available Out of stock
With "Histoire(s) d’elle," Anaïs Delcourt delivers an intimate fresco of crumbling love. Four piano-vocal ballads carried by a fragile and sincere voice, exploring desire, doubt, pain, and the final goodbye. Each song is Read more

With "Histoire(s) d’elle," Anaïs Delcourt delivers an intimate fresco of crumbling love. Four piano-vocal ballads carried by a fragile and sincere voice, exploring desire, doubt, pain, and the final goodbye. Each song is a fragment of a reinvented past, a personal story... or perhaps a universal one.

Avec « Histoire(s) d’elle », Anaïs Delcourt livre une fresque intime de l’amour qui s’effrite. Quatre ballades en piano-voix portées par une voix fragile et sincère, où l’on explore le désir, le doute, la douleur, et le dernier adieu. Chaque chanson est un fragment d’un passé réinventé, une histoire personnelle... ou peut-être universelle.

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Éclats d’elle

Bob Juch & Anaïs Delcourt

In cart Not available Out of stock
English Anaïs Delcourt takes listeners on a four-song journey—from playful flirtation to fiery passion and sultry sophistication. With a voice full of emotion and effortless charm, she blends country, pop, and chanson in Read more

🇺🇸 English Anaïs Delcourt takes listeners on a four-song journey—from playful flirtation to fiery passion and sultry sophistication. With a voice full of emotion and effortless charm, she blends country, pop, and chanson in a uniquely French way. From the cheeky “Je veux être une cowgirl” to the smoky elegance of “Murmures d’un chagrin,” this EP is a bold and dazzling showcase of her range.

🇫🇷 French Anaïs Delcourt nous emmène dans un voyage en quatre chansons, de la légèreté espiègle à la passion brûlante, jusqu’à une élégance feutrée. Avec sa voix pleine d’émotion et son naturel désarmant, elle marie country, pop et chanson française avec une grâce unique. De la malicieuse “Je veux être une cowgirl” à l’élégance jazzy de “Murmures d’un chagrin,” cet EP révèle toute l’étendue de son talent.

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